Skip to main content

Acceptance [ əkˈsɛpt(ə)ns ]

 Acceptance [ əkˈsɛpt(ə)ns ] 

(n.) the process or fact of being received as adequate, valid, or suitable.

- Manal Qureshi


The transition from an immature adolescent to a mature know-it-all teenager is tiresome and often lonely. You constantly struggle between knowing nothing and having to know everything. You want to fit in amongst your peers so you’re not picked on, and you do things you already know, or are expected to know. You are expected to keep your head down, follow the herd, and never ask questions. But curiosity is a trait that humans have carried with them proudly since the beginning of time! One always seeks what seems out of their reach.


Growing up entails fresh new information at every corner that we turn to. We finally grasp enough consciousness to decide what we like and what we don’t, be it the simpleton choice of clothing, to more complex stuff like hobbies. But even then, the societal stigma of being restricted inside a box may hinder the positive growth that every young teenager should necessarily go through. We’re expected to live within the boundaries, pre-decided for us, just because that’s how society is! 


Park, from Eleanor and Park written by Rainbow Rowell, experiences the same in his day-to-day life. Although the novel revolves around Eleanor’s struggles – battling the fine line between being too masculine and too feminine being a major one – Park’s journey with his self-expression is commendable. While both of them struggle with conforming to their traditional feminine and masculine traits, Park experiences inadequacy and unrest when he notices his father being critical of something as simple as wearing some eye makeup. 


The story being set in the 1980s shows Park’s father as a traditional white American male, who puts his masculinity on a high pedestal. This becomes upsetting for Park when he grows up to take after his mother. Unlike “regular” boys, Park is petite and not traditionally masculine. He enjoys music and his comic books, instead of hobbies such as taekwondo, that his father pushes him for. Park’s father is rigid when it comes to his values, and he wants Park to be his idealized version of a male kid – one that enjoys hunting and is athletic, which limits Park from simply being himself. Rather than the adult allowing the young teenager from exploring his likes, he finds himself being discouraged and shut in a box again by his father. 


At school, he finds himself wondering if he would be ostracized by his peers for wearing a simple eyeliner. But when he finally goes for it one day, he finds his peers admiring him, or being completely nonchalant, both of which came completely as unexpected responses. 


His struggle with finding acceptance at home was an interference in his overall growth, but once his father recognized that Park didn’t have to be conventionally masculine and display male behaviour to be a smart young man, Park’s confidence shot up the roof drastically. All Park needed was a nod of approval from his father to let all the emotions of being a ‘disappointment’ dissolve.

Comments

Popular posts from this blog

A Review of "The Tale of the Rose" by Emma Donaghue

 A Review of "The Tale of the Rose" by Emma Donaghue - Mayura Bhandari “The Tale of The Rose” is a retelling of the popular children’s fairy tale, “The Beauty and The Beast”. It is one of the short stories in the collection by Emma Donoghue, called Kissing The Witch . The story is narrated from the point of a young woman who describes herself as having an appetite for magic. She doesn’t desire suitors, finery or riches. When her father’s ships get lost at sea, her cushy life disappears. But without despair, she gets to work. She washes her father’s clothes, finding peace and satisfaction in it. When fortune smiles upon their family, her siblings ask for riches and finery, but she desires a red rose bud. Her father returns and hands her the rose, explaining that the price of that flower was that he had sold her to a Beast. Obediently, she heads over to the castle, nervous and excited for a new chapter in her life. She recalls the lore the villagers told her. About a young

Psychological Analysis Of Waiting For Godot

Psychological criticism adopts the methods of "Reading" employed by Freud and later theorists to interpret texts. It argues that literary texts, like dreams, express the secret unconscious desires and anxieties of the author, that a literary work is a manifestation of the author's own neuroses. Here, we are going to apply the same form of criticism on Samuel Beckett’s play, ‘Waiting for Godot.’  Unanswered questions behind the characters behaviour are answered here. We would be looking further to the psychoanalytical approach, Sigmund Freud being the important proponent here. A major focus on the language and how dreams reflect our mental personality are given in his second essay, “Interpretation of Dreams.” The plot clearly states that Estragon has nightmares and Vladimir never addresses them and remains unhelpful towards it, being the one who is aware about their sufferings. The nightmares contain flashbacks and images of a gruesome and horrific event that has hap

Marxism in Waiting for Godot

Samuel Beckett, the most eminent Irish playwright wrote ‘’Waiting for Godot’’ in French in 1949 and then translated it into English in 1954. This play has been performed as a drama of the absurd with astonishing success in Europe, America and the rest of the world in the post second world war era. For this reason, Martin Esslin calls it, “One of the successes of the post-war theatre” (Esslin, Martin, 1980) In this play, the two tramps, Vladimir and Estragon, wait expectantly to see a man simply known as Godot, a character who does not make an appearance in the play, despite being the titular character. The play begins with waiting for Godot and ends with waiting for Godot. Marxism refers to the political and economic theories of Karl Marx and Friedrich Engels, later developed by their followers to form the basis of communism. Marxism introduced ideas such as Dialectical Materialism, Alienation, and Economic Determination. Beckett’s ‘Waiting for Godot’ has a minimalist setting