Skip to main content

'Norwegian Wood' by Haruki Murakami: Dealing with Death

 Norwegian Wood by Haruki Murakami: Dealing with Death

= Mansi Dixit

Death is inevitable and no matter how hard we try we cannot bring back the ones we love. Sometimes some people get affected more than others and grief is just not enough. No matter how hard they try, they cling to the hope of being with them together and bring back those happy memories. But life is unexpected and what’s worse is the questions lingering in mind, like why did they have to go?

When Kizuki commits suicide without even leaving a note, he shatters not only his girlfriend Naoka but also Toru, his best friend, who is the main character of the story. We humans fail to recognise the impact of loss in our lives because of the ignorance of death existing in our culture, leading us to trap the natural processes of grief within that cannot then be unfolded and heal the psyche. Even after years, we see that Toru Watanabe remains horrifyingly ignorant of the deaths and suicides that have left him suffering in a state of half-life. Horrifying, because there are so many people suffering in exactly this state of suspended grief in our world, and this makes the book even more spectacular.

Other than that Naoko’s suicide should also be noticed as during the twenty years of her life, she encountered two deaths. The first one was when her sister committed suicide at the age of seventeen, and Naoko witnesses her dead body at eleven years of age. And Kizuki dies in the same way, six years later. These tragic deaths change her life drastically, even though she tries to cope up with it by managing to go to college, she eventually loses her hope from the world. She later ends her life after three years, struggling to deal with the pain and indicating to the readers that she suffered from prolonged grief disorder. 

Furthermore, the book includes winter, which is a natural metaphor for death. It reminds us that death is natural and excruciating. But like the characters in Murakami's novel, we are born into a culture that hides and denies death. Still later we find Toru Watanabe is given the option of finding real love and a happy life with the vivacious Midori Kobayashi, but at the end we do not know whether he accepts love she can give to him or he carries on in grief.

People suffering through the same pain not only relate to it but can also use it as a guide book. The toughest battle does not lie outside rather inside our hearts. People may look normal and happy and the struggles in our mind cannot be seen. It not only messes with our thoughts but also causes much physical pain and trauma. The more we try to hide and supress it the harder it gets to live with it. Then the question arises: 'Is it all worth it?' To live in the world devoid of values and feelings?  Everything around us revolves with death. All we can do is wait. Wait for it to consume us and finally end all our sufferings as Murakami writes, “from the dead center of this place that was no place.”

In conclusion, we learn that the only way to end the suffering and grief is to let go. Not to cling to the hopes and memories. We cannot leave them behind but we can choose to proceed further in life and remember them on our good and bad days.  What we learn from the book is not only the rollercoaster of emotions and the happenings of life but also the sense of wisdom, maturity and warmth.

Comments

Popular posts from this blog

A Review of "The Tale of the Rose" by Emma Donaghue

 A Review of "The Tale of the Rose" by Emma Donaghue - Mayura Bhandari “The Tale of The Rose” is a retelling of the popular children’s fairy tale, “The Beauty and The Beast”. It is one of the short stories in the collection by Emma Donoghue, called Kissing The Witch . The story is narrated from the point of a young woman who describes herself as having an appetite for magic. She doesn’t desire suitors, finery or riches. When her father’s ships get lost at sea, her cushy life disappears. But without despair, she gets to work. She washes her father’s clothes, finding peace and satisfaction in it. When fortune smiles upon their family, her siblings ask for riches and finery, but she desires a red rose bud. Her father returns and hands her the rose, explaining that the price of that flower was that he had sold her to a Beast. Obediently, she heads over to the castle, nervous and excited for a new chapter in her life. She recalls the lore the villagers told her. About a young

Psychological Analysis Of Waiting For Godot

Psychological criticism adopts the methods of "Reading" employed by Freud and later theorists to interpret texts. It argues that literary texts, like dreams, express the secret unconscious desires and anxieties of the author, that a literary work is a manifestation of the author's own neuroses. Here, we are going to apply the same form of criticism on Samuel Beckett’s play, ‘Waiting for Godot.’  Unanswered questions behind the characters behaviour are answered here. We would be looking further to the psychoanalytical approach, Sigmund Freud being the important proponent here. A major focus on the language and how dreams reflect our mental personality are given in his second essay, “Interpretation of Dreams.” The plot clearly states that Estragon has nightmares and Vladimir never addresses them and remains unhelpful towards it, being the one who is aware about their sufferings. The nightmares contain flashbacks and images of a gruesome and horrific event that has hap

Marxism in Waiting for Godot

Samuel Beckett, the most eminent Irish playwright wrote ‘’Waiting for Godot’’ in French in 1949 and then translated it into English in 1954. This play has been performed as a drama of the absurd with astonishing success in Europe, America and the rest of the world in the post second world war era. For this reason, Martin Esslin calls it, “One of the successes of the post-war theatre” (Esslin, Martin, 1980) In this play, the two tramps, Vladimir and Estragon, wait expectantly to see a man simply known as Godot, a character who does not make an appearance in the play, despite being the titular character. The play begins with waiting for Godot and ends with waiting for Godot. Marxism refers to the political and economic theories of Karl Marx and Friedrich Engels, later developed by their followers to form the basis of communism. Marxism introduced ideas such as Dialectical Materialism, Alienation, and Economic Determination. Beckett’s ‘Waiting for Godot’ has a minimalist setting