Skip to main content

'The Night Circus' by Erin Morgenstern: A Unique Young Adult Novel

 The Night Circus by Erin Morgenstern: A Unique Young Adult Novel

- Juhi Desai


Sometimes, we come across books that leave such a deep impact on us that we are helpless in  resisting their charm. These are books that seem to colour our every thought and emotion, so  much so that after reading them we seem to find ourselves lost in them still, the fantastical  characters and lands etched so firmly in our imaginations that they resist any attempt to allow  us to move on. For me, The Night Circus is one such novel. 

The novel tells us the story of two magicians who often try to pit their protégées against one  another in order to determine the stronger of the two. The two students, Celia and Marco, are both young adults who possess extraordinary powers, and are forced to compete with each  other against the backdrop of the enigmatic Night Circus. As the name suggests, this Night  Circus is one that seems to appear almost instantaneously overnight and disappears in the  morning. Set in the Victorian era, we see the circus as being almost a portal between the  mortal plane and this magical, enchanted place, one that is beyond the reaches of time. Encased in enchantments and magic, within the circus the two competitors create  increasingly complicated spells for the visitors to marvel at. The two competitors, rather than battling head-on, must instead outperform one another with increasingly complicated and difficult spells until one ultimately dies.  

What is truly remarkable about this book is the way that the abstract concepts of time and  mortality are treated. Time is a convoluted concept in the circus, and doesn’t quite travel linearly. Each character seems to face time differently while in the circus. Some seem to age  far more slowly, while others speed towards a sudden and even a catastrophic death. The  uncertainty of the future is a basic fear of most, and the reader will find themselves constantly questioning and trying to redefine their own mortality. The age old question of mortality versus immortality is explored extensively and almost poetically by Morgenstern, which will  leave readers wondering if they would prefer to feel their mortality every day, or suffer the  crippling isolation that comes with living forever.  

The theme of the circus also embodies the idea of freedom. As it is set in the stifling Victorian era, where complicated rules and norms dominated every aspect of society, the circus symbolises a sort of haven from such norms, where ‘freaks’ and outsiders have their  differences celebrated rather than shunned. They are no longer ostracised but instead are welcomed into this mismatched familial structure. 


The author also juxtaposes the aforementioned ideas of liberty with those of imprisonment.  Our two protagonists are bound together against their will, and whatever ideas of freedom  that they, as well as the circus members, may entertain are, in the end, merely illusionary.  


These themes showcase how this novel is fully capable of allowing the provocation of  philosophical debate. The great artistic depth present in this novel is testament to its  distinctiveness and is, in my opinion, what makes this novel unique. 

Comments

Popular posts from this blog

A Review of "The Tale of the Rose" by Emma Donaghue

 A Review of "The Tale of the Rose" by Emma Donaghue - Mayura Bhandari “The Tale of The Rose” is a retelling of the popular children’s fairy tale, “The Beauty and The Beast”. It is one of the short stories in the collection by Emma Donoghue, called Kissing The Witch . The story is narrated from the point of a young woman who describes herself as having an appetite for magic. She doesn’t desire suitors, finery or riches. When her father’s ships get lost at sea, her cushy life disappears. But without despair, she gets to work. She washes her father’s clothes, finding peace and satisfaction in it. When fortune smiles upon their family, her siblings ask for riches and finery, but she desires a red rose bud. Her father returns and hands her the rose, explaining that the price of that flower was that he had sold her to a Beast. Obediently, she heads over to the castle, nervous and excited for a new chapter in her life. She recalls the lore the villagers told her. About a young

Psychological Analysis Of Waiting For Godot

Psychological criticism adopts the methods of "Reading" employed by Freud and later theorists to interpret texts. It argues that literary texts, like dreams, express the secret unconscious desires and anxieties of the author, that a literary work is a manifestation of the author's own neuroses. Here, we are going to apply the same form of criticism on Samuel Beckett’s play, ‘Waiting for Godot.’  Unanswered questions behind the characters behaviour are answered here. We would be looking further to the psychoanalytical approach, Sigmund Freud being the important proponent here. A major focus on the language and how dreams reflect our mental personality are given in his second essay, “Interpretation of Dreams.” The plot clearly states that Estragon has nightmares and Vladimir never addresses them and remains unhelpful towards it, being the one who is aware about their sufferings. The nightmares contain flashbacks and images of a gruesome and horrific event that has hap

Marxism in Waiting for Godot

Samuel Beckett, the most eminent Irish playwright wrote ‘’Waiting for Godot’’ in French in 1949 and then translated it into English in 1954. This play has been performed as a drama of the absurd with astonishing success in Europe, America and the rest of the world in the post second world war era. For this reason, Martin Esslin calls it, “One of the successes of the post-war theatre” (Esslin, Martin, 1980) In this play, the two tramps, Vladimir and Estragon, wait expectantly to see a man simply known as Godot, a character who does not make an appearance in the play, despite being the titular character. The play begins with waiting for Godot and ends with waiting for Godot. Marxism refers to the political and economic theories of Karl Marx and Friedrich Engels, later developed by their followers to form the basis of communism. Marxism introduced ideas such as Dialectical Materialism, Alienation, and Economic Determination. Beckett’s ‘Waiting for Godot’ has a minimalist setting