A Review of Disney's Moana (2016)
- Mahek Agarwal
Moana, for me, is a film that is inherently feminist in
nature and moves away from conventional fairy-tales in a myriad of ways. To
begin with, the protagonist of the film, Moana is of Polynesian descent, moving
away from predominant white fairy-tale narratives. Furthermore, she does not
have an unattainable Barbie-like figure, with slim waists. Instead, she is
given a realistic body type. These two factors clubbed together make the film
more representative and inclusive.
Another component that draws me towards the film is the absence of a love
interest. Moana is a character who is shown to have love for her island and her
people, as opposed to typical male leads. She is the first Disney princess to
not have a romantic narrative and is shown as an independent, strong-willed,
and powerful female lead who steps out of the “damsel in distress” plot device
where the woman needs saving, here she does the saving and further asserts that
she does not need a man to be content and happy. She sets out to do what other
men in the film feared and ultimately helped save her island and establish
their normal course of life. She is not shown as a subservient female, but as
someone who is a natural leader. Throughout the move, she kept repeating, “I am
Moana of Montunui,” whenever faced with a predicament as a reminder of her
strengths and her roots, again foregrounding her strong sense of resolution.
Therefore, she breaks free from the shackles of the Disney Princess archetype.
Additionally, the presence of strong female relationships as opposed to
stereotypical presence of evil female characters going against the lead female
is highly refreshing. Here, it is through the support of the women around her
that Moana succeeds in her endeavour, mainly her mother and her grandmother.
The film is among my favourites as it challenges the conventional rules of
patriarchy, masculine hegemony, and heteronormativity, all through the
character of Moana. She is portrayed as a fierce, empowered woman and assumes
“typical” male-oriented qualities such as determined, commanding, and
authoritative as opposed to supposedly feminine traits of submission and
passivity. Disney’s rather late attempt towards greater agency and diversity
through Moana does however pave the way for more progressive fairy-tales
and serves as a manifestation of a woman being enough by herself to complete a
story. Moana then becomes a strong representation of her survival,
self-sustenance, and identity with no romantic subplots and narratives to
deflect the audience from the core of the story — Moana herself.
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