Skip to main content

Reviewing 'Dangal'


DANGAL

Aamir Khan’s recently released ‘Dangal’ has been the talk of the town for a year. Believed to be bordering the same storyline as Salman Khan’s ‘Sultan’, the movie has been greatly looked forward to. ‘Dangal’, a movie on wrestling, shines as a modern feminist movie. Portraying female strength and a modernist thinking, it makes its place in new age cinema. It is a sports drama film based on the true story of a man called Mahavir Singh Phogat and his two wrestler daughters, Geeta and Babita. Directed by Nitesh Tiwari, ‘Dangal’ has Aamir Khan starring as Mahavir Singh Phogat, and Fatima Sana Shaikh as Geeta Phogat, Zaira Wasim as young Geeta, Sanya Malhotra as Babita Phogat, and Suhani Bhatnagar as young Babita. 

While Pritam composed the music for ‘Dangal’, the lyrics were given by Amitabh Bhattacharya. Kripa Shankar Bishnoi, who is a coach with the Indian Women’s wrestling team, gave rigorous training to Aamir Khan and the other cast members for the wrestling scenes. He transformed their bodies and their strength to make the wrestling sequences flawless.

The story is of a village man, Mahavir Singh Phogat, who had to give up on his dream of winning a gold for India as a wrestler due to financial difficulties. This man vows to have his offspring fulfil his dream and win India the gold medal. Little does he anticipate that his dream will be fulfilled not by a son, but by his two daughters. He trains his two daughters, Geeta and Babita, against the wishes of the entire village and even his wife. The story is of how these two daughters defy all conventional norms of the village and make their place in the world of wrestling with their father’s constant support, guidance and training.

While the makers of the film have taken some fictional liberty, the story does justice to the actual life of the Phogats. It portrays the struggle they went through, and the perseverance and courage they showed in the hardest of times. Mahavir Singh Phogat’s story is one to inspire the entire nation to fight against the stereotypical household image imposed on women, and director Nitesh Tiwari manages to bring out this story to the world with perfection.

Although Aamir Khan has always managed to leave his audience speechless and in awe, his admirable transformation just for the movie is commendable. He put on close to 30 kgs for his role as an aged father, and lost all of it and trained for a wrestler body for just a 30 second scene in the movie. While his dedication towards his job is nothing short of excellent, his essay of an aged father was flawless. He managed to depict a strict father, hailing from a village, and giving his all to fulfil his one dream, with perfection. The young Geeta and Babita, portrayed by Zaira Wasim and Suhani Bhatnagar respectively, gave a comic touch to the movie alongside the serious portrayal of what went through the minds of 10-12 year olds during such strict and rigorous training by their father. There was no sense of overacting or underacting. No audience member could doubt that these characters hail from a small village in Haryana. The grown up Geeta and Babita, played by Fatima Sana Shaikh and Sanya Malhotra respectively, were also portrayed with conviction. Since these actresses were also trained by Kripa Shankar Bishnoi, their wrestling scenes were very convincing. Sakshi Tanwar, playing Aamir Khan’s wife, managed to bring forth the concerns of any mother in such a situation very well. Her expressions were flawless and timing was precise. The movie’s comic relief was provided by character Mahavir Singh Phogat’s nephew, whose narration of the various scenes and repartee made the mood of the film lighter.

Overall the plot was very realistic and the story was done justice to.

‘Dangal’ was released in the United States on 21st December, and worldwide on 23rd December. Although running for a total time of 160 minutes, ‘Dangal’ does not make the audience feel disinterested or bored at any point of time. It keeps the audience engaged and at the edge of their seats at all times. The movie has been edited very well by Ballu Saluja. The music of the movie proves to be exceptionally unique with its comic lyrics and perfect energy. The costumes are authentic and add to the natural village effect of the film.

The film collected ₹29.78 crore (US$4.4 million) on its opening day which is recorded as the second highest non-holiday opening. In four days collections were $11.2 million (76.16 crore).

The film thus has made a great profit in just its first week.

Overall, the movie is intriguing for people across all generations. It inspires and gives courage and hope. It deserves a rating of 4.5 on 5.

- Vaishali Singh

Comments

Popular posts from this blog

A Review of "The Tale of the Rose" by Emma Donaghue

 A Review of "The Tale of the Rose" by Emma Donaghue - Mayura Bhandari “The Tale of The Rose” is a retelling of the popular children’s fairy tale, “The Beauty and The Beast”. It is one of the short stories in the collection by Emma Donoghue, called Kissing The Witch . The story is narrated from the point of a young woman who describes herself as having an appetite for magic. She doesn’t desire suitors, finery or riches. When her father’s ships get lost at sea, her cushy life disappears. But without despair, she gets to work. She washes her father’s clothes, finding peace and satisfaction in it. When fortune smiles upon their family, her siblings ask for riches and finery, but she desires a red rose bud. Her father returns and hands her the rose, explaining that the price of that flower was that he had sold her to a Beast. Obediently, she heads over to the castle, nervous and excited for a new chapter in her life. She recalls the lore the villagers told her. About a young

Psychological Analysis Of Waiting For Godot

Psychological criticism adopts the methods of "Reading" employed by Freud and later theorists to interpret texts. It argues that literary texts, like dreams, express the secret unconscious desires and anxieties of the author, that a literary work is a manifestation of the author's own neuroses. Here, we are going to apply the same form of criticism on Samuel Beckett’s play, ‘Waiting for Godot.’  Unanswered questions behind the characters behaviour are answered here. We would be looking further to the psychoanalytical approach, Sigmund Freud being the important proponent here. A major focus on the language and how dreams reflect our mental personality are given in his second essay, “Interpretation of Dreams.” The plot clearly states that Estragon has nightmares and Vladimir never addresses them and remains unhelpful towards it, being the one who is aware about their sufferings. The nightmares contain flashbacks and images of a gruesome and horrific event that has hap

Marxism in Waiting for Godot

Samuel Beckett, the most eminent Irish playwright wrote ‘’Waiting for Godot’’ in French in 1949 and then translated it into English in 1954. This play has been performed as a drama of the absurd with astonishing success in Europe, America and the rest of the world in the post second world war era. For this reason, Martin Esslin calls it, “One of the successes of the post-war theatre” (Esslin, Martin, 1980) In this play, the two tramps, Vladimir and Estragon, wait expectantly to see a man simply known as Godot, a character who does not make an appearance in the play, despite being the titular character. The play begins with waiting for Godot and ends with waiting for Godot. Marxism refers to the political and economic theories of Karl Marx and Friedrich Engels, later developed by their followers to form the basis of communism. Marxism introduced ideas such as Dialectical Materialism, Alienation, and Economic Determination. Beckett’s ‘Waiting for Godot’ has a minimalist setting